
How did you come to get into the challenger business?? (3.1MB)
How would you describe what a challenger brand is? (787K)
How different is what you do now from when you were an ad planner??
(1.2MB)
What’s the elevator pitch for the Pirate Inside? (716K)
You spend some time saying it’s about different individuals
but in the Wrapping chapter you talk a lot about subcultures..and
country brands (2.2MB)
What changed in your thinking between writing Eat the Big Fish
and Pirate Inside? (1559K)
Is
this a book for pirates, privateers or monarchs on how to manage
privateers? (2.4Mb)
How
much piratical thinking is going on in agencies at present? (1.7MB)
You recommend that a piratical crew has a set of articles, a
group contract? What’s in the Eatbigfish contract? (941K)
You’re doing a pulsing workshop later this month. Where
does pulsing fit? (1.9MB)
You’re already promised another book. What’s Fugitive
Indigo about? (1.48MB)

Pirates
is a very different book from Eat the Big Fish. What it shares with
its predecessor is quantity - in an era when someone with half
an idea pumps out a business title - it's a pleasure to read a
book with so much substance to it.
Pirates
is about the kind of culture that produces challenger brands
- Adam Morgan is responding
to the most common objection to Eat the Big Fish - "It
couldn't happen here". The original title was called 6 Excuses
for the Navy. His argument is that with the right team and an understanding
of the challenges which a brand needs to overcome - there's no
reason why any brand team shouldn't start to engage in a little
piracy of its own.
Pirates
should really be put alongside that category of business
books
about startups
and
business
development,
the difference being that he is writing about how to grow
and develop a a living brand culture within the client organisation
not the company itself. And to counter the perception that
what you need is a strong brand founder he outlines the complementary
roles that the brand team needs to have within it if it is
to have
any hope of success. There are a host of case studies - the
book was built on some 50 interviews with people who successfully
created or turned around challenger brands. And the book
includes a section on why challenger brands fail, and how a client
organisation
can nurture individual brand teams without feeling that its
own culture has been compromised or watered down. This really
is a
book for organisations rather than start-ups.
The chapter
on Wrapping - a different kind of communication is very intriguing.
The idea is based on country brands which have their own belief system,
culture, dialect and iconography - and despite what politicians would
like to believe - these emerge spontaneously and have tremendous
power. When I first read the book I wondered if the Wrapping chapter
really fit - it seemed to outgrow the chapters around it - almost
to merit a book of its own. But the reason the country metaphor works
so well is that it is a much more organic way of considering brand
development - one very different from that of an external supplier.
Brands don't come to life from flipcharts - the map is not the territory.
And the country brand is a fantastic metaphor for the idiosyncracy
and inconsistency that forms around living brands - and the way they
develop - not according to organograms and Gantt charts but as layers
of meaning are wrapped on - some of it sticks, lots of it doesn't
- this is live brand building from a client perspective and I can't
think of another book which unpacks this so effectively. A country
brand is one which not only the client team own and are passionate
about building but one which a customer recognises, empathises with
and
wants to become a citizen of. Worth the purchase price for that chapter
alone!
What
I like about the book is the very invidual take on the
motivation of those
involved - Eat the Big Fish is much more like a classic
text book - Pirates is about the thrills and spills of growing
a business.
And it has an energy about it which I certainly associate
with being a brand proprietor rather than a caretaker manager.
And
it does raise the question as to how agencies as so called
business
partners can help to drive challenger brands - so much
of the dynamic comes from a sense of ownership which refuses to
lie
down or take
no for an answer. I don't think Pirates will have the same
broad appeal that Eat the Big Fish has enjoyed. But personally
I prefer
it.